- Wtf did i click on i came here fo the chcalet plus#
- Wtf did i click on i came here fo the chcalet series#
But this year, Sam’s been rocking out in a different collective – another he embraces, when time allows – the HIVE Collective. The first time we saw him play was with spin-off band, Spitting Cobras – they rocked so hard, he broke his hand. It’s the reason quite so many of our favourite shows this year were there.Īway from his graphic art, Sam is an incredible musician – and one of Merseyside’s most underrated drummers.
Wtf did i click on i came here fo the chcalet series#
A white-washed box littered with amps allowed Sam to project his myriad of webs dissolving into cityscapes crashing into pixelated nightmares through to body fluids dripping into electrical storms and back to a series of flashing colours – sometimes it was worth merely going to the gig just for Sam’s light show. Only in 2013, Sam applied his techniques on a more regular basis in Camp and Furnace‘s Blade Factory. It’s his mesmeric imagery which, when married to the music, thrusts the listener into their relentless vortex whisking them off into some kind of other psychosis. As the unofficial fifth member of Mugstar – Sam’s lighting and graphic art is almost as integral to their live show as the cyclonic power of their music. Yet, he’s been doing this in Liverpool for years. Sam’s artwork at Liverpool’s Psych Fest added a suggestive tab of escapism and was reproduced on mass scale with his graphics lighting up Camp and Furnace with a magnificent aura. The mere mention of the word ‘psychedelic’ conjours a myriad of shapes, colours and throwback visuals, but, like what the festival does so well, Sam’s artwork goes against the grain painting a distinctive linear set of images which are both basic yet fantastical – like the finest three-minute pop songs – capturing the magic so simply is perhaps the hardest thing to do. And Sam’s results have been off the scale. It is, presumably, for this reason why the head cats at Liverpool International Festival of Psychedelia approached Sam as their artistic visionary in chief. In essence it’s something which you can relate to easily yet fills your mind with wonder and energy. If we’re pigeonholing, Sam is a multi-media artist and musician, and his art, like his music, is distinct yet otherwordly, exact yet forever expanding, primal yet limitless. And for the last twelve months his involvement has imbued our community in a musical, physical, tangible – and neo-spiritual manner. Pinpointing what Sam actually does is not an easy task – but his impact on Merseyside music is profound. Sure, there’s competition, rivalry and indeed fractions but cooperation is predominantly ensuring the city is happening.įor that reason, selecting this year’s local, unsung hero was harder than ever before, but it’s also for that reason and the ethos of teamwork, that Getintothis fixes the spotlight firmly on Sam Wiehl. The city’s musical ecosystem is intertwined with huge players feeding smaller independent groups who then break off into splinter collectives making the underbelly tick on a daily basis. Merseyside music is blossoming at present primarily due to one key aspect: teamwork.
Wtf did i click on i came here fo the chcalet plus#
This is Getintothis‘ part two of our round up from 2013 and there’s much to chew over in what was a blockbuster year for Merseyside music.īelow you’ll find out who was our unsung hero of the year, which label bagged top honours plus a round up of our favourite festivals and an assortment of the posts on this here site which have kept you clicking throughout the year. Sequels are rarely better than the originals, but let’s have a go. Part two features the the region’s unsung city hero, top record label and festivals of the year, plus the most read posts on Getintothis.
Getintothis‘ Peter Guy delivers the final word on 2013 with his annual round up of Merseyside Music’s best bits and the year’s cultural highs and lows.
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